CompIQ MINI Pro Compressor Pedal for Bass & Guitar
209,00 €
incl. 0% VAT
In stock
Build to order, 3-5 workdays
The CompIQ MINI Pro MK2 is an exceptionally powerful analog compressor/limiter packed with unique features in an ultra-compact mini pedal format, perfect for detailed control of dynamic signal processing. It delivers outstanding results with all instruments, especially with guitar and bass. What sets the MINI apart is the groundbreaking combination of Blackmer® VCA-based selectable Feed Forward or Feed-Back compression. The CompIQ MINI Pro introduces a new standard of innovation in compressor pedals, delivering professional results in an incredibly small package.
Functionality is top-notch, and it’s astounding that Becos can deliver such a high level of pristine compression in such a tiny housing.
From percussive sounds for tapping or funk to worn solos with volume boost and pumping bass, the device can cover everything.
This micro pedal packs more tweak-ability options than you would find in many compressor pedals more than twice its size.
If you crave control and nuance, then this might be the squish box for you.
V2.0 | V1.4, V1.3 | V1.2, V1.1, V1.0
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What people say
CompIQ 101
Studio-quality compression in a mini-pedal format
The CompIQ MINI Pro is an analog compressor pedal primarily tailored for guitar and bass but it can be used with any other instrument. It is built around the advanced 4320 THAT Analog Engine®, which delivers studio-quality compression in the most compact form. With precise signal processing, including a true RMS-level detector and a high-performance Blackmer® VCA, this pedal offers professional compression and limiting, setting new standards for its size.
With Ratio, Threshold, Gain, and Dry/Wet Mix controls, the CompIQ MINI allows for precise manual adjustment of compression settings, resulting in a balanced and refined sound. Its Compression Knee feature, which can be set to either Soft or Hard, lets users fine-tune the compression effect for various musical styles. The Soft Knee option offers subtle and transparent compression, while the Hard Knee option delivers a more pronounced effect, particularly suitable for “country” or specific bass playing styles where dynamic output is a key effect. Additionally, the CompIQ MINI Pro serves as an excellent limiting effect or compressor/sustainer pedal by adjusting the ratio, threshold, timing, and hard knee settings.
The CompIQ MINI Pro features a uniquely advanced side chain circuit that provides two compression modes, Feed Forward and Feed-Back, along with a Variable Side Chain Filter for precise compression adjustments, catering to both classic smoothness and modern dynamic sound.
Feed Forward processing emphasizes speed and accuracy, using a pre-VCA copy of the input signal. It can deliver subtle compression or brick-wall limiting based on control settings. In contrast, Feed-Back compression resembles “old-school” circuits, offering a smoother and more natural sound. It uses a post-VCA copy of the audio signal, preserving instrument character and dynamics without pumping or breathing.
While Feed-Back mode excels at low-to-medium compression ratios, it’s less suitable for hard peak limiting. Nonetheless, the MINI can function as a genuine Feed-Back limiter when you combine threshold adjustment, a hard knee, a higher ratio, fast timing, and a boosted control signal in the side chain filter.
It’s worth mentioning that the compression modes can partially overlap in their effect, based on their settings. The high-performance Blackmer® VCA in the Analog Engine® guarantees distortion-free operation in both modes.
The MINI features a variable side chain filter, specially tuned around the 90 Hz frequency point, which conditions the control signal. The filter’s range can be adjusted from Low-Pass to Normal to High-Pass mode. The effect of this filter on the side chain signal is opposite to that on the compressor’s output signal. In addition, it progressively compensates for the low amplitude of highs above 1kHz. This unique feature, combined with the characteristics of the RMS-level detector, helps the compressor achieve exceptional transparency and a natural sound, closely resembling human hearing.
Rotating the dial clockwise engages the High-Pass Filter, leading to the attenuation of frequencies below 90 Hz in the side chain. This results in reduced compression for these frequencies in the output signal. When the filter is set at the center of its range, the side chain filter operates in a “normal” mode, providing a more consistent control frequency range to the RMS-level detector. In this setting, compression is activated by high-amplitude low frequencies that reach the threshold first.
Conversely, a counterclockwise turn transforms the filter into a Low-Pass Filter, which amplifies the control frequencies below 90 Hz. This adjustment heightens the sensitivity of the side chain to high-amplitude lows, leading to increased compression in the output. This configuration is well-suited for applications like country music with a plucking style, bass limiting, or instruments lacking low-frequency content that can trigger compression, such as guitars equipped with thin-sounding single coils.
The Dynamic Auto Attack & Release Timing circuitry eliminates the need for a dedicated attack switch or manual controls, offering precise timings for all playing styles. It provides two timing options: Fast and Slower, accommodating both attack and release timings.
Fast timings deliver a modern, crisp, punchy sound, especially effective with a hard knee compression setting for limiting effects. When using the blend knob, it’s ideal for parallel compression, also known as the New York compression style.
In contrast, Slower timings are better suited for slower musical phrasings like bass lines or arpeggiated chords. However, experimentation is encouraged, as the ear is the ultimate judge. The dynamic auto-timing ensures high sound quality, quickly releasing fast transients while maintaining a slow decay for steady signals. The release time typically ranges from 10-15 times the attack time in each setting.
Compression level, or gain reduction, is visually represented by a 5-LED display, offering real-time feedback on the extent of signal reduction during compression.
In its inactive state, True-Bypass routing maintains the integrity of the bass or guitar signal chain, ensuring no alteration, whether the pedal is powered or not.
Pristine audio processing
The CompIQ series of compressors preserves the unique tonal characteristics of the input signal. They provide pristine audio compression and offer a high dynamic range, which enables clean, natural-sounding tones with minimal noise and no artifacts or distortions in any settings.
Key features
- Blackmer® VCA / RMS-level Analog Engine® ensures professional compressor/limiter function
- Feed Forward / Feed-Back compression
- True RMS-level detector
- Ratio 1:1 to inf:1 (limiter) in Feed Forward mode; 1:1 to 10:1 in Feed-Back mode
- Threshold -40dBu to +10dBu
- Make-up Gain -6dB to +20dB
- Hard / Soft compression knee
- Fast / Slower dynamic attack and release timings
- Variable Side Chain Filter (raises or lowers control frequencies in the side chain ±12dB @ 90 Hz, 12dB/oct. imparting an opposite effect on the working signal at the output of the compressor)
- Dry / Wet mix
- 5-LEDs compression display
- True analog bypass
- High-end quality Burr-Brown FET audio ICs, low tolerance metal-film resistors, Panasonic, Kemet, Cornell Dubilier plastic film audio capacitors, Gold-plated PCB, Gold-plated micro-switches
- Black powder-coated Hammond aluminum enclosure
- 9-12 V DC external power supply (not included), center negative, 12mm long barrel plug
- 3-year premium warranty (direct to manufacturer, international, transferable)
- Hand-assembled in Vienna, Austria
Note! Optimal configuration of the CompIQ MINI for studio recording or live performances typically necessitates a solid understanding of audio compression.
Reviews
For more reviews, mentions, and information, please visit our Blog.
A comparative analysis of 6 compressor pedals: Becos CompIQ Mini, Smoothie, Keeley Bassist, FEA DE-CL, Duncan Studio Bass, MXR 143 (80’s red box / AC cord)
A comparative analysis of 6 compressor pedals – Becos CompIQ Mini, Smoothie, Bassist, FEA DE-CL, Duncan Studio Bass, MXR 143 (80’s red box / AC cord) – made by two users on Talkbass Forum finds the CompIQ MINI Pro Compressor a winner.
CompIQ MINI Pro extensive video review-demo made by Atsushikubo 🇯🇵
はい、こちら、ベコスのコンプIQミニ、こんなちっちゃいんだよ、このミニサイズ、もうピント合わないくらいミニサイズなんだけど、このサイズなのにめちゃめちゃいろいろセッティングできます、そして出てくる音が、超ナチュラル、尋常じゃないぐらいナチュラル、はい、もうね、コンプかかってるかわからないっていうね、表現、よくあるじゃん、ナチュラルなコンプレッサーで、まさに、まさにわからないくらいかかる、いて、がっつりかけることもできるだから、いろんなセッティングがね、パラメーターが、こんなちっちゃいのに、めちゃめちゃ高品質のコンプレッサーです。
Guitar Pedal X names the CompIQ MINI among the 9 Mini Pedals State of the Art Smart Engineering
The specialty blog Guitar Pedal X writes about several mini pedals from builders around the world which “are ambassadors for the very best of the current Mini Pedals State of the Art in terms of engineering innovation and quality”, among which the CompIQ MINI.
CompIQ Mini reviewed by Gitarre Und Bass Magazine 🇩🇪
Not long after the comprehensive CompIQ Twain & Stella review published in June 2020, Gitarre & Bass is now following with a new review in the December 2020 Issue – this time for the CompIQ Mini.
CompIQ MINI included in the Best High-End Mini Compressor Pedals of 2021 by Delicious Audio
The Becos CompIQ MINI Pro is a studio-grade mini VCA-style compressor pedal providing essential controls and also a Soft/Hard compression knee option. Dynamic Auto Attack & Release Timing circuitry replaces the need for a dedicated attack knob, with a toggle switch allowing to pick Fast or Slow dynamic response.
More info
V2.0 | V1.4, V1.3 | V1.2, V1.1, V1.0
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What people say
CompIQ 101
Box Weight | 0,21 kg |
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Box Dimensions | 11 × 6,5 × 5,5 cm |
Technical Specifications | Input impedance: 1MΩ |